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Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold) is a painting by Gustav Klimt, completed between 1903 and 1907. The portrait was commissioned by the sitter's husband, Ferdinand Bloch-Bauer (de), a Jewish banker and sugar producer. The painting was stolen by the Nazis in 1941 and displayed at the.
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Klimt developed an elaborate technique in the making of the Portrait of Adele Bloch-Bauer I, with only her face and hands painted in oil, the rest of the 138 x 138 cm canvas is covered in gold and silver leaf onto which Klimt used gesso to apply decorative motifs in bas-relief. The final work, completed in 1907, depicts Adele Bloch-Bauer on a.
NPG x139549; Adele Portrait National Portrait Gallery
Exhibition. Sep 5, 2014-Aug 15, 2016. One of two formal portraits that Gustav Klimt made of Adele Bloch-Bauer, an important patron of the artist, is now on view at MoMA as a special long-term loan from a private collection. Adele Bloch-Bauer was the wife of Ferdinand Bloch-Bauer, a wealthy industrialist in Vienna, where Klimt lived and worked.
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Adele Bloch-Bauer II is a 1912 painting by Gustav Klimt. Adele Bloch-Bauer was the wife of Ferdinand Bloch-Bauer, who was a wealthy industrialist who sponsored the arts and supported Gustav Klimt. Adele Bloch-Bauer was the only model to be painted twice by Klimt; she also appeared in the much more famous Portrait of Adele Bloch-Bauer I. Adele's.
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What aided in the return of Adele Bloch-Bauer's portrait was its location in a federal museum, said E. Randol Schoenberg, Ms. Altmann's lawyer. In most instances, he said, the missing works.
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Adele Bloch-Bauer (née Bauer; August 9, 1881 - January 24, 1925) was a Viennese socialite, salon hostess, and patron of the arts from Austria-Hungary.A Jewish woman, she is most well known for being the subject of two of artist Gustav Klimt's paintings: Portrait of Adele Bloch-Bauer I and Portrait of Adele Bloch-Bauer II, and the fate of the paintings during and after the Nazi Holocaust.
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Adele Bauer (1881-1925) was born into a prominent Viennese Jewish banking family. In 1899, she married the wealthy sugar magnate, Ferdinand Bloch (1864-1945); he was seventeen years her senior. She was twenty-six years old when this portrait was completed. Adele was a member of cultured Viennese society and an enthusiast of contemporary art; she was intelligent, although like most women of her.
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Artist and Muse: Adele Bloch-Bauer and Gustav Klimt's Relationship. After a brief public exhibition, which garnered mixed reviews, Gustav Klimt's Portrait of Adele Bloch-Bauer I was displayed privately in the palatial Bloch-Bauer apartment in Vienna.. Delighted with the strikingly modern painting, the Bloch-Bauers commissioned Klimt to create a second portrait of Adele.
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The work is a portrait of Adele Bloch-Bauer (1881-1925), a Vienna socialite who was a patron and close friend of Klimt. [1] In 1907, Klimt completed an earlier portrait of Bloch-Bauer. During World War II, both portraits were among the artworks stolen by the Nazis from the descendants of Bloch-Bauer. After the war, Portrait of Adele Bloch.
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Portrait of Adele Bloch-Bauer _©Wikipedia. Adele Bloch-Bauer I was immortalized in a portrait by Gustav Klimt, which is now known as the "Portrait of Adele Bloch-Bauer I" or "The Woman in Gold." The painting, completed in 1907, is a stunning example of Klimt's signature style, featuring intricate patterns and rich, shimmering gold.
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Adele Bloch-Bauer was a wealthy society woman, hostess of a renowned Viennese salon, art patron, and philanthropist. Her famous portraits by Klimt are historical witnesses to the significance of Jewish patronage during the Golden Era of fin-de-siècle Vienna. Among the famous guests in her salon were composer Gustav Mahler, journalist Berta.
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This "golden style" depiction of Adele Bloch-Bauer is arguably Klimt's most famous portrait. She was the only sitter that Klimt painted twice in full-legth. Klimt received the commission in 1903 but did not complete the painting until 1907, when it was presented in Mannheim that same year. Klimt executed hundreds of preparatory sketches in preparation for the final composition and tried posing.
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Gustav Klimt's 1907 portrait of Adele Bloch-Bauer was seized by the Nazis. A film now tells the story of Adele's niece, who fought to recover her family's paintings more than a half century later.
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Adele Bloch-Bauer was an avid art patron at the centre of Vienna's cultural life. And when she sat for a portrait by Gustav Klimt, she became an icon, writes Kimberly Bradley.
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Along with Portrait of Adele Bloch-Bauer I and four other paintings from the Bloch-Bauer collection, Adele Bloch-Bauer II was involved in the trial of the Republic of Austria v. Altmann, in which Adele and Ferdinand Bloch-Bauer's heir Maria Altmann sued the Austrian State for refusing to return her family's art collection after the Nazi's.
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Adele's husband, Ferdinand Bloch-Bauer, hired Klimt to paint both paintings. Klimt painted Portrait of Adele Bloch-Bauer II in 1912. Some artists also think Adele Bloch-Bauer might be the woman in The Kiss and Judith and the Head of Holofernes. Before Adele Bloch-Bauer died, she said she wanted the painting to go to the Belvedere Gallery. But.